The Greenery
Medium Herb
Garden Greenhouse / Diana Riccardo, Owner / No Bias
A greenhouse
built into the jagged eighteenth and top floor of an apartment building
that was once twenty stories tall until a bunch of runners blew part of it
up, The Greenery specializes in personal herb gardens, instruction, and
supplies. While a majority of her inventory is inert, the owner also has
a walled off and warded personal garden that would probably blind any
magician who decided to perceive it astrally. In this special garden,
herbs and small plants are grown from soil that, in itself, could act as a
reagent. But what Diana has discovered is that the carefully cultivated
plants grown in it are nearly twice as powerful as the soil itself. These
plants are sold to only a few select clients who are also often provided
with the means to start their own magically infused herb garden.
Diana Riccardo
Archetype: Elf
Shaman Herbalist
A generally
elegant, kind spirited and soft spoken individual, Diana was raised in a
native tribe that, unfortunately for her, felt that nature should be left
to its own means, repeatedly stunting Diana’s desire to cultivate plants
of her own. The tribe was militant in this respect, feeling that the
alteration of nature was an abomination. After one of her secret herb
gardens was found and destroyed by her tribe members, Diana split for the
city, changed her name, and slowly scraped together the business she runs
today. Dressed in overalls while working, and street clothes when she’s
not, the only indication that she has shamanic heritage are the few
scented herbs she wears in her hair. Despite the rejection of her tribe’s
ideals, some of the militant nature remains, inasmuch as her overalls are
armored and she carries a heavy pistol hidden on her at all times. Her
background training becomes apparent when threatened, and while she only
knows very few combat spells, she is very adept at using them to full
effect. (Oh, and she’s also a crack shot with the gun.)
Good Eats
Small Diner
/ Mathis Masago, Owner / Extremely Strong Bias Against Firearms And Drugs
A rare beacon
of hope in the depths of the barrens, Good Eats is a common place for
runners, Johnsons, fixers and just about everybody in the biz to have a
good meal and work out a deal. Individual booths are separated by
partitions, and white noise and 1950’s Doo-wop emanates throughout the
joint. The exception is the bar (a diner bar, not a booze bar) which is
generally peopled by those down on their luck and hoping through
conversation or coincidence they land a job. Ironically, the location is
visited fairly often by local cops looking to pick up a pastry, although
even the cops can’t bring in their guns. The diner has been robbed
twice, each time resulting in the death of an assistant manager. However,
the fate of the assailants were much worse and legend persists that one of
them is being tortured by some of the patrons to this very day, although
the crime occurred years ago.
Mathis Masago
Archetype:
Unknown Race Diner Owner
Some believe
that Mathis doesn’t even exist, as he has never once been seen in the
diner. He (or whoever) hires his assistant managers over vidless commlink,
and the assistant managers hire everybody else. The staff is paid
remarkably well, although all are informed of the risks involved in
working at a location that only has its reputation standing between
themselves and a .45 caliber slug. The only true window into Mathis’
character is the mantra affixed as a sign on the front door that simply
states: “Play nice: You don’t want me showing up. – Mathis Masago.”
Pauline
Archetype:
Human Waitress
While it isn’t
exactly a policy, the staff generally knows better than to get involved in
the activities of their patrons. Pauline, a wide eyed, energetic,
girl-next-door beauty finds herself occasionally skirting this line, as
she often shares her extensive knowledge of the area’s architecture with
interested parties, not in the pursuit of a pay day, but simply because
she loves to talk about buildings. Pauline is a skilled artist, but
unfortunately there isn’t much of a public market for near photo quality
renditions of area buildings – inside and out. Her artwork is generally
in a portfolio which she carries wherever she goes and she refuses to
accept anything but a pittance of cred for her work. Of course, she will
often receive a monster tip, which she gladly shares with the rest of the
staff. |